I can’t claim any connection with Stella Cartwright, but I created a Wikipedia page for her. I learned about her last night at an event at The Scottish National Galleries: Beyond Artemisia: Women Artists Brought into the Light.
Last year at an event organised by Scottish National Galleries around their ‘Modern Scottish Women’ exhibition I created a page for Anne Finlay.
One of the things both these women have in common is that their biographies include a number of ‘affairs’ with the (more famous, and often married) men in their circle.
Anne has a considerable body of work. The challenge with Stella is to consider whether being a muse, but not an artist in ones own right, is a notable enough contribution to warrant a page. Stella is mentioned in a number of citable sources, but her role is as an inspiration for the work of others. She had an impact on their lives and work, but their pages perhaps do not mention her…..
I am sensitive to the arguments made by Hilary Mantel, that we should not retrospectively make the women in our stories strong and independent, but I do think some of them deserve to be named as notable*.
I have made links for Stella to University of Edinburgh Library archives, and to published articles and resources. I hope that her story will stand the scrutiny of my fellow Wikipedia editors. The page has already been reviewed, so that is good. But the category I created for ‘muse’ has been deleted.
* When I first started editing Wikipedia, when ‘AdaLovelace Day” was being invented, it is worth remembering that most of the discussion behind the scenes on Ada’s page was about the relative worth of her contribution to the work of the better known Babbage.
First of all I’m reading ‘Discover’ magazine from National Library of Scotland. In it there’s an article about Edith Simon. I remember Edith Simon. I look her up in Wikipedia. She has a mere stub of a page. I’m thinking it needs some development and presumably the nice ‘open images ‘ policy at NLS will free up some lovely artwork to include.
Then I ask my excellent mother: ‘How do I know Edith Simon?‘
‘ She was fabulous, Jewish, and she made beautiful paper-cut portraits of your child-hood friends, when they were young, before they died of CF ‘ is the reply.
Her obit says:
‘The qualities of intense discipline, exuberant delight in the world of flesh and objects, and sheer graphic ability involved in these productions are rare enough individually. She had them all, together with considerable intellectual power, literary gifts, charm and a mordant wit. She was striking in appearance, trenchant in her views and generous to the young and those in need. ‘
I can’t add that picture to the wikipedia page because the licence belongs to her daughter Antonia Reeve, but I’m still hoping the NLS will liberate some great images for this fabulous woman.
Feel free to join on in and add or edit for Edith.
If you have ever visited our meeting rooms on Floor E you will have been immersed in an installation by Fabienne Hess.
This installation of images on the glass walls of our meeting rooms in Argyle House is a whole work by Hess, she was commissioned as part of the refurbishment the office spaces to create a work featuring images of existing objects of University collections. Her work exploring the University of Edinburgh’s Collections has spanned across several years and she features in current displays at The Talbot Rice. The process of digitizing, which started in the summer of 2012, has involved photographing almost 25,000 diverse items, from ancient manuscripts to musical instruments, anatomical drawings to historic maps. Throughout the process Fabienne has also created a series of ‘sub-collections’- these groupings, put together in arbitrary themes such as those images containing a red dot, those featuring a person raising an arm, a triangular shape, a certain shade of blue, create a fascinating set of ‘new’ collections. One of these new collections is the installation you are in. Did you notice?
In addition to more editing and inspired by Kirsty, I am also looking forward to hosting an intern, in conjunction with colleagues in Centre for Research Collections to look at the metadata which describes our images so that the women ( and others) are more easily found!
I created a Wikipedia page for Ruth Adler, because I saw her on Ewan’s list of ‘women in red’ (women notable enough to need Wikipedia pages but yet have none). I remember Ruth from my childhood in Edinburgh. Her kids went to the same school as me. She was also prominent in many of the causes in which my mother was involved and her name was mentioned in our house many times.
In creating the page I learned how impressive she really was and how much she did. I’m pleased University of Edinburgh recognise her.